Terrain is a photographic series composed of diptychs and triptychs, in which similar formations such as mountain slopes, textures, or vegetal surfaces are placed in dialogue with one another. Through this juxtaposition, the gaze begins to wander back and forth, comparing, differentiating, attuning. It is in this subtle visual play that the distinct presence of each form becomes more tangible.
Rather than offering isolated views, the series explores landscape as a relational phenomenon, shaped by repetition, variation, and perception. Each image gains meaning through its correspondence with others. The gesture of pairing and grouping becomes a method of visual thinking, not to classify, but to sense the uniqueness of what appears.
Terrain continues an inquiry into more than human presence by attending to what becomes perceptible when forms are placed in dialogue, revealing difference as a mode of relation.